Introduction to Literature • Corrigan • Fall 2010 • ENGL 2133 06

tree image

Blog | Guide to Blogging | Guide to Commenting | Syllabus | Calendar

Syllabus

After reading the syllabus, complete the “Consent to Comply” form. This is an expanded version of the standard university form—it includes a number of pedagogical disclosures that are important to note at the beginning of the course—and must be completed uniquely for this class by the end of the second week of the semester.

Basic Course and Instructor Information

Instructor—Paul T. Corrigan, MA
Office—Spence Hall R10 (just past the registrar, see map of Spence)
Office Hours (hyperlink)
Emailptcorrigan@seuniversity.edu
Phone—863.667.5534
Classroom—TR A 214
Class Meeting Times—TR 12:00-1:15

University Mission Statement

Southeastern, a dynamic, Christ-centered university, fosters student success by integrating personal faith and higher learning. Within our loving Pentecostal community, we challenge students to a lifetime of good work and of preparing professionally so they can creatively serve their generation in the spirit of Christ.

Required Texts, Materials, and Other Costs

  • Bruce Beiderwell and Jeffrey M. Wheeler, eds., The Literary Experience. Compact Edition. (Boston: Thomson/Wadsworth, 2008).
  • C. S. Lewis, A Grief Observed. New York: HarperSanFrancisco, 1996.
  • Tom Griffin, The Boys Next Door. New York: Dramatist Play Service, 1995.
  • Ticket to The Man Who Came to Dinner, a Southeastern theater production to be held at the Polk Theater. $10 with student ID. See the university’s Arts and Events Calendar.
  • Meal at Tuscana Ristorante. About $10 unless you already have a meal plan.
  • Brushes, paints, and a sketch pad suitable for painting, something other than watercolor. About $10.
The Literary ExperienceA Greif ObservedThe Boys Next Door

Catalog Description and Intended Learning Outcomes

This course introduces an in-depth study of the poetry, fiction, nonfiction, and drama of American, English and world literature. Prerequisite: ENGL 1233. Credit Hours: 3. Students who successfully complete this course will:
  1. Understand the general nature, purposes, and techniques of literature with a sense of its relationship to life and culture. 
  2. Recognize a representative selection of literary works by major writers (including notable stylistic devices and features) representing a diversity of prominent historical and cultural traditions and issues.
  3. Understand the biographical, historical, and cultural contexts of a representative selection of works by major writers.   
  4. Identify the relationships among the literary works studied and the philosophical/religious and political/social/economic milieus of the cultures and subcultures within and among which they were written.
  5. Engage and respond to literary texts personally and creatively.
  6. Think, write, and speak about literary texts critically and effectively.

Course Requirements

  1. Blogging Project. (70 percent of the final grade) As the primary course requirement, student must keep an extensive blog in response to course readings and content. See The Guide to Blogging in this Class and How to Set Up Your Blog which constitute extensions of this syllabus.

  2. Commenting Project. (20 percent) As a corollary to the blogging project, students will be responsible for posting comments on each other’s blogs on a weekly basis. See The Guide to Commenting in this Class which constitutes an extension of this syllabus.

  3. Preparation and Participation. (10 percent) Students must consistently come to class on time having done the appropriate reading and writing. Work will be necessary in preparation for every class. Students should always bring to class the assigned reading for the day. Preparation and participation will be evaluated through quality of work, quizzes, exams, attendance (and non-tardiness), and observations made by the teacher during class discussion and small group work. Several in-class activities will include painting. Participation on those days depends on you bringing painting materials to class as indicated on the course calendar. Students are also expected to attend and participate in field trips, film nights, and a Southeastern theater production chosen by the professor. These events will be weighted more heavily than typical class sessions in terms of the participation and preparation grade. Alternative assignments, if arranged with the instructor in advance, are worth equal participation credit.

  4. Exams. (pass/fail—passing requisite for passing the course) A midterm and a final will be given. 

University and Classroom Policies

  1. Attendance: Students should attend every class session. Students will not receive any credit for participation on those days in which they are absent, regardless of the reason for the absence. Per university policy students may miss one week worth of classes without a direct grade penalty based on absences: two classes for a class that meets once a week, three classes for a class that meets three times a week. If a student misses more than the allowed number of absences, his or her final grade will be reduced by one full letter grade. Illness or other personal emergencies do not count as “excused absences,” so the allowed number of absences should be saved for the possibility of being needed in an emergency.

  2. Lateness: Because of the place of dialogue in this course, being on time it particularly important. Late blog posts and comments will receive no credit. Students arriving to class five or more minutes late will usually be counted absent. Students arriving to class late any amount of time more than once may be accounted absent.

  3. Technology: While the technologies we are using in this class represent a basic level of technological literacy, it is understandable that some students may have difficulty learning how to use them. These difficulties can be worked out. In general, excuses will be allowed for technological difficulties during the first two weeks of the semester.

  4. Email as Official Communication: Southeastern University requires all faculty, staff and students to use their Southeastern email address for official university communication. Students are required to check Southeastern email daily as they will be held accountable for all communications sent through this medium.

  5. Accommodations for Students with Disabilities: I fully endorse this school’s position on accommodations: "Southeastern University is committed to the provision of reasonable accommodations for students with learning and or physical disabilities, as defined in Section 504 of the Rehabilitation Act 1973.  If you think you may qualify for these accommodations, notify your instructor.  You will then be directed to contact the Director of Academic Success at 863-667-5157."

  6. Mandatory Final Exam: Attendance at the final exam for this course is mandatory per university policy: "Every professor is obligated to administer a final exam or hold an appropriate class during the regularly scheduled exam period. Every student is obligated to take the final exam or attend that appropriate class during the regularly scheduled exam period. Please plan accordingly and carefully for final exams. You must not plan vacations, ministry appointments, weddings, airline flights, or any other similar activity or engagement that will conflict with the final exam schedule. Also, do not schedule any of these activities so close to your final exam that the commute to the activity conflicts with the final exam schedule.  Final exams will be administered in the room where the class normally meets.  Students with more than 3 exams scheduled on one day can petition the instructor and department chair/college dean to take one of the exams another day."

  7. Mandatory Course Evaluations: In order to help the faculty and administration to assess the effectiveness of our courses and instructors, all registered students must complete a course evaluation at the end of the semester. You must complete a course evaluation form for this course before your grade can be posted.

  8. Original Work: In general, all work submitted for this class must be a student’s original work created for this class. Students may not submit for this course any work created for some context other than this course without specific permission from the instructor. Doing such constitutes academic dishonesty.

  9. Academic Honesty: The entire policy on academic honesty/dishonesty available in the university catalogue (link) and in the student handbook (PDF) constitutes as an extension of this syllabus. Students should carefully read it to be familiar with the definitions and penalties associated with plagiarism and other forms of cheating. Ignorance of these policies cannot serve as an excuse. In some instances, a first offense can result in consequences up to failing the course and/or being expelled from the university.

  10. Consent to Comply: Students must indicate their consent to comply with this syllabus by completing the “Content to Comply” form linked to here. This is an expanded version of the standard university form—it includes a number of pedagogical disclosures that are important to note at the beginning of the course—and must be completed uniquely for this class by the end of the second week of the semester.

Selected Bibliography and Useful Links

Barry, Peter. Beginning Theory: An Introduction to Literary and Cultural Theory. Manchester: Manchester University Press, 2002.
Brueggemann, Walter. The Prophetic Imagination. Minneapolis, MN: Fortress Press, 2001.
Eagleton, Terry. How to Read a Poem. Malden, MA: Blackwell Pub, 2007.
Gwynn, R. S., and April Lindner, eds. Contemporary American Poetry: A Pocket Anthology. Penguin academics. New York: Pearson/Longman, 2005.
Hunt, Douglas, ed. The Riverside Anthology of Literature. Boston: Houghton Mifflin, 1992.
Lauter, Paul, ed. The Heath Anthology of American Literature. Volumes A through E. Boston: Houghton Mifflin Co, 2006.
Morgan, Dan. “Connecting Literature to Students’ Lives.” College English 55.5 (1993): 491-500.
Moyers, Bill D., James Haba, and David Grubin. The Language of Life: A Festival of Poets. New York: Broadway Books, 2001.
Miller, Richard E. Writing at the End of the World. Pittsburgh: University of Pittsburgh Press, 2005.
Ryken, Leland. The Christian Imagination: The Practice of Faith in Literature and Writing. Colorado Springs, Colo: Shaw Books, 2002.